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"We're trying to incorporate art and architecture, and this is the best time to do that, early on," he says.įor Bosch, public art has a lot to do with tourism. Architects will identify palettes within the new spaces, like ceilings, walls, and the exterior skin of the garages and terminal. It seems like the best method to save it," he says.īosch says a committee is forming and will soon put out an international call for artists. "They've cut out a square around each of the medallions, then once they get it up, they cut the concrete as close as they can to the terrazzo without disturbing the terrazzo.

The terrazzo crumbles easily and sits on about eight inches of concrete, and Bosch says there's no way to separate the two. The 39 medallions in the floor of the Kansas City airport's soon-to-be-demolished Terminal A.